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  • A text by Sven Birkerts offers a few reservations worth pondering.

1. Knowledge, certainly in the humanities, is not a straightforward matter of access, of conquest via the ingestion of data. Part of any essential understanding of the world is that it is opaque, obdurate. To me, Wittgenstein's famous axiom, "The world is everything that is the case," translates into a recognition of otherness. The past is as much about the disappearance of things through time as it is about the recovery of traces and the reconstruction of vistas. Say what you will about books, they not only mark the backward trail, but they also encode this sense of obstacle, of otherness. The look of the printed page changes as we regress in time; under the orthographic changes are the changes in the language itself. Old-style textual research may feel like an unnecessarily slow burrowing, but it is itself an instruction: It confirms that time is a force as implacable as gravity.

Yet the multimedia packages would master this gravity. For opacity they substitute transparency, promoting the illusion of access. All that has been said, known, and done will yield to the dance of the fingertips on the terminal keys. Space becomes hyperspace, and time, hypertime ("hyper-" being the fashionable new prefix that invokes the nonlinear and nonsequential "space" made possible by computer technologies). One gathers the data of otherness, but through a medium which seems to level the feel�the truth�of that otherness. The field of knowledge is rendered as a lateral and synchronic enterprise susceptible to collage, not as a depth phenomenon. And if our media restructure our perceptions, as McLuhan and others have argued, then we may start producing generations who know a great deal of "information" about the past but who have no purchase on pastness itself.

Described in this way, the effects of interactive programs on users sound a good deal like the symptoms of postmodernism. And indeed, this recent cultural aesthetic, distinguished by its flat, bright, and often affectless assemblages of materials may be a consequence of a larger transformation of sensibility by information-processing technologies. After all, our arts do tend to mirror who we are and anticipate what we might be becoming. Changes of this magnitude are of course systemic, and their direction is not easily dictated. Whether the postmodern "vision" can be endorsed as a pedagogic platform, however, is another question.

2. Humanistic knowledge, as I suggested earlier, differs from the more instrumental kinds of knowledge in that it ultimately seeks to fashion a comprehensible narrative. It is, in other words, about the creation and expansion of meaningful contexts . Interactive media technologies are, at least in one sense, anticontextual. They open the field to new widths, constantly expanding relevance and reference, and they equip their user with a powerful grazing tool. One moves at great rates across subject terrains, crossing borders that were once closely guarded. The multimedia approach tends ineluctably to multidisciplinarianism. The positive effect, of course, is the creation of new levels of connection and integration; more and more variables are brought into the equation.

But the danger should be obvious: The horizon, the limit that gave definition to the parts of the narrative, will disappear. The equation itself will become nonsensical through the accumulation of variables. The context will widen until it becomes, in effect, everything. On the model of Chaos science, wherein the butterfly flapping its wings in China is seen to affect the weather system over Oklahoma, all data will impinge upon all other data. The technology may be able to handle it, but will the user? Will our narratives�historical, literary, classical�be able to withstand the data explosion? If they cannot, then what will be the new face of understanding? Or will the knowledge of the world become, perforce, a map as large and intricate as the world itself?

3. We might question, too, whether there is not in learning as in physical science a principle of energy conservation . Does a gain in one area depend upon a loss in another? My guess would be that every lateral attainment is purchased with a sacrifice of depth . The student may, through a program on Shakespeare, learn an immense amount about Elizabethan politics, the construction of the Globe theater, the origins of certain plays in the writings of Plutarch, the etymology of key terms, and so on, but will this dazzled student find the concentration, the will, to live with the often burred and prickly language of the plays themselves? The play's the thing�but will it be? Wouldn't the sustained exposure to a souped-up cognitive collage not begin to affect the attention span, the ability if not willingness to sit with one text for extended periods, butting up against its cruxes, trying to excavate meaning from the original rhythms and syntax? The gurus of interaction love to say that the student learns best by doing, but let's not forget that reading a work is also a kind of doing.

4. As a final reservation, what about the long-term cognitive effects of these new processes of data absorption ? Isn't it possible that more may be less , and that the neural networks have one speed for taking in�a speed that can be increased�and quite another rate for retention? Again, it may be that our technologies will exceed us. They will make it not only possible but irresistible to consume data at what must strike people of the book as very high rates. But what then? What will happen as our neural systems, evolved through millennia to certain capacities, modify themselves to hold ever-expanding loads? Will we simply become smarter, able to hold and process more? Or do we have to reckon with some other gain/loss formula? One possible cognitive response�call it the "S.A.T. cram-course model"�might be an expansion of the short-term memory banks and a correlative atrophying of long-term memory.

But here our technology may well assume a new role. Once it dawns on us, as it must, that our software will hold all the information we need at ready access, we may very well let it . That is, we may choose to become the technicians of our auxiliary brains, mastering not the information but the retrieval and referencing functions . At a certain point, then, we could become the evolutionary opposites of our forebears, who, lacking external technology, committed everything to memory . If this were to happen, what would be the status of knowing, of being educated? The leader of the electronic tribe would not be the person who knew most, but the one who could execute the broadest range of technical functions. What, I hesitate to ask, would become of the already antiquated notion of wisdom?